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Hello and welcome. We are from the SG Insecure Task Force. We are here to share with you our Huat Ah! initiatives to promote community bonding and the kampung spirit—while instilling fear and insecurity in your hearts! Do you see anything suspicious? Be vigilant! Report radical ideas and non-traditional values! Together we will make Singapore SUSA: Staying Under Surveillance Always. The Necessary Stage presents SG Insecure, a provocative investigation of Singapore past and present. Migrant workers, the Fajar Trial and Singapore’s surveillance systems are some of the hot topics interwoven in powerful short plays written by Associate Artists A Yagnya, Deonn Yang and Sindhura Kalidas, with additional texts and direction by Haresh Sharma.SG Insecure is a potent and incisive work that grapples with the paradoxes between our individuality, belonging and community—as active citizens under the watchful eyes of the state.

Sir Stamford Raffles Tan Kah Kee Sultan Iskandar Shah Naraina Pillai Munshi Abdullah Who are these historical figures, and what did they do to earn a place in our textbooks?   Join us for an uproarious whirlwind journey at The Necessary Stage’s History, Whose Story?, as we discover these colourful characters who have played important roles in the rich history of Singapore. Rediscover our island home as we take a riotous odyssey through our past, navigating through war and racial riots, colonisation, adventure, loyalty and betrayal.  Written by Cultural Medallion recipient Haresh Sharma, and co-directed by Sharma and Associate Artist Deonn Yang, History, Whose Story? is an interactive youth theatre experience that promises to be a delightful introduction to the vibrant history of Singapore. Through an exploration of history, culture and language, the play will compel young people to think more deeply about our common heritage despite our differences. 

What does it mean to be a man?Enter the world of fists and facades inNo Man’s Land, where four men navigate the shifting territory of contemporary manhood. Through primal rituals and modern gym culture, fraught familial legacies and the shadow of sexual exploitation, they wrestle with their personal histories and fears, to challenge the trauma and power we inherit and maintain. Can they break free from old patterns to find authenticity and healing? Raw, surreal, and unflinchingly intimate, No Man’s Land is a devised interdisciplinary experience that will compel you to question the contradictions at the heart of masculinity—where aggression and tenderness collide, and transformation is both necessary and uncertain.

Absorbingly told by [2008 staging's actor] Umar Ahmed, Eclipse suggests that ancestral memory is never as meaningful as the allegiances of everyday life.—The Guardian UK(Playwright Haresh Sharma) has demonstrated a deftness and maturity in scriptwriting, a deeper inquiry into life and humanity, as well as an evident progress in terms of his creations.—联合早报 Lianhe Zaobao [translated from Chinese] —————A young Singaporean man is making a journey to his father's birthplace in Hyderabad, Pakistan. With him are his father's ashes. As he makes the arduous trip, he retraces the original journey made by millions of people—including his parents and grandparents—in 1947, during the partition of India and Pakistan. Written by Cultural Medallion recipient Haresh Sharma, Eclipse is a play that looks at three generations of men struggling with their dreams and their journeys, offering an intimate look at personal stories affected by historical events.First presented as a short play to critical acclaim by Scotland’s 7:84 Theatre at Traverse Theatre, Eclipse was developed into a full-length production for the M1 Singapore Fringe Festival 2008. Almost 80 years after the Partition, this staging with a fresh new direction by Associate Artist A Yagnya stars award-winning Singapore actor Shrey Bhargava. It also features Indian classical vocalist Sveta Kilpady.

How white all the walls are. Even after all these years.White, All White offers a glimpse into the quiet lives of a family of women across three generations. As they grapple with their individual struggles, dreams and desires whilst living under the same leaky roof, what unites them is the deep love and concern they have for one another. However, an unexpected financial misadventure challenges the household. Can their relationships endure when tested by adversity, especially when these women’s lives are intrinsically linked?Written and directed by The Necessary Stage’s Associate Artist Deonn Yang, White, All White explores the joys and tensions of family and individual desires—and the sacrifices we make for the ones we love. Funny, charming and poignant, this life-affirming play hits all the right notes when it comes to family drama.

It’s International Friendship Day at MPSS but friendship seems to be the last thing on the students’ minds.While the foreign students Adi, Anton and Liqin are questioning what to showcase at their booths and why there isn’t one for the local students, the Drama Club boys are unhappy about them not putting any effort towards the much-anticipated Singapore Youth Festival (SYF).Meanwhile, Carys is facing pressure at home for losing her spot as the school’s top Maths student.Will she lose her top spot to an international scholar?Will the Drama Club boys get the foreigners to join in the chorus?Will Adi get the booth of his choice?Written by Cultural Medallion recipient Haresh Sharma and directed by TNS' Associate Artist Lim Shien Hian, International Friendship Day promises an invigorating and engaging interactive theatre experience for youths to explore and understand cross-cultural differences.International Friendship Day was first commissioned by Singapore Kindness Movement in 2015 and was restaged as part of Peer Pleasure 2016 and as an online interactive experience under Esplanade’s Feed Your Imagination 2021.It is supported by the National Arts Council as part of the NAC School Arts Excursion Programme.

Adrian, a young teacher, faces a life-altering revelation when his homosexuality and relationship with Ben, an Asian-American documentary filmmaker, come to light. This disclosure sends ripples through the family, testing their attachments to societal norms and roles. The presence of the cheeky Peranakan matriarch adds depth and humour to this captivating two-act play set in Singapore and New York.Alvin Tan’s debut play weaves a compelling tale of love, acceptance, and family dynamics against the backdrop of ancestral worship. As the characters navigate their individual struggles, ANAK highlights the importance of ancestors in shaping their paths.For SIFA 2024, The Necessary Stage has opted for an innovative presentation of ANAK. During the performance, the actors will be improvising the scenes of the play based on a narrative structure. In this way, the actors will fully own their characters, instead of just presenting a staged reading. Such an approach reflects The Necessary Stage’s devising methodology and spirit of theatrical exploration.

Utama, a mysterious Tiger, runs a bar in limbo that seems to attract an odd mix of patrons.Guan Yin's life keeps ending prematurely and she seems eternally subscribed to this tragic loop of death and rebirth. Shimizu's memory is failing him as he grapples with the loss of his wife and tries to keep up with his AI (Artificial Intelligence) caretaker.Sindhu is struggling to regain a semblance of a "boring" life since experiencing an earthquake over video conference that resurfaces past trauma.John tries to find some control in his otherwise uncontrollable life as a broadcast journalist but is stuck in a hotel room.Written by A Yagnya and co-directed with Alvin Tan, Hi, Can You Hear Me? follows various characters whose normalcies have been fractured due to events and experiences beyond their control.How and why do their paths cross?When everything that was going smoothly gets disrupted, what is there left to cling to?