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Staging

[names changed to protect the innocent]

2001
 -
Singapore
 

Publications

The Programme #4

2001
 

Productions

Abuse Suxxx!!!

It's a jungle out there. And it's raining shit. So do something, dammit! Say it: I have the power. To fight. To kill. To love. To be who I wanna be. they can try, but they can't take that away from you. they can't touch you. Abuse Suxxx!!! But you're a survivor and you're gonna make it.
2001
 -
Singapore
 

Staging

Abuse Suxxx!!!

It's a jungle out there. And it's raining shit. So do something, dammit! Say it: I have the power. To fight. To kill. To love. To be who I wanna be. they can try, but they can't take that away from you. they can't touch you. Abuse Suxxx!!! But you're a survivor and you're gonna make it.
2001
 -
Singapore
 

Productions

Don't Say I Say

These well known actors bring untold stories from the central Singapore district into the spotlight through a riveting and intimate piece of multilingual storytelling theatre.
2001
 -
Singapore
 

Staging

Don't Say I Say

These well known actors bring untold stories from the central Singapore district into the spotlight through a riveting and intimate piece of multilingual storytelling theatre.
2001
 -
Singapore
 

Festivals

The Necessary Community Festival

2001
 

Talks & Interviews

WORK/PLAY

The following description was extracted from the Introduction in focas Vol. 3 by Editor Lucy Davis.

The forum had grown out of two recent developments in the arts community. The first was a search for a language of practice. For some time now, various members of the arts community have felt that arts practice is increasingly overlooked for the sake of arts production. These attitudes, in turn, have lead to a tendency by some practitioners to essentialise their practice in a defensive response to allegedly product-focused arts funders and arts commentators. The second development that inspired the Work/Play forum was the oft-heard refrain, "Making Art isn't Fun Anymore", and the pressure on cultural production and practice to become more and more like other rationalised industries. This rationalisation of the arts finds expression in the ever-increasing application of productivity measures, including such quantitative "performance indicators" as the number of productions per company or per artist, per year, and audience per funded dollar.

The forum transcription was published in focas Vol. 3.
2001
 -
Singapore
 

Productions

Los Durmientes

"if God for an instance would forget that we are cloth marionettes and would give us a piece of life, possibly we would not say all that we think, we would definitely think all that we say. We would give value to all things, and not for what they are worth, but for what they mean. If God would give us a piece of life, we would dress simply, throw ourselves face-down, leaving bare, not only our bodies but souls..." A video installation by an Uruguayan for the people of Singapore.
2001
 -
Singapore
 

Productions

How to construct a valve on intensity?

A "soundcape" - constructed around "text", mediated by a synthesised voice, recordings and a "live" piano. [With the aim of creating a "listening" space, "visuals" will be kept to a minimum.]
2001
 -
Singapore
 

Productions

No Plot. Just Sex.

S                                 e                                 x.
[Synopsis suppressed by artists.]
This is the sexth production of The small Theatre.
2001
 -
Singapore
 

Staging

[names changed to protect the innocent]

2001
 -
Singapore
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