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Productions

godeatgod

A layered and moving exploration of power, sexuality, spirituality and survival in the post traumatic world, this multimedia, multiracial and multinational romp is interwoven with the stories and emotional landscape of its characters.

Writing in response to 911, playwright Haresh Sharma excavates the tragedies that surfaced - dishonesties, power struggles, corruption and egos - which have made the world an elimination platform dominated by the powerful.

godeatgod is an intimate, personal and at times funny exposition about trying to live a better life; a take on censorship in the context of art; and an examination of love and grief
2006
 -
Hungary

Staging

godeatgod

A layered and moving exploration of power, sexuality, spirituality and survival in the post traumatic world, this multimedia, multiracial and multinational romp is interwoven with the stories and emotional landscape of its characters.

Writing in response to 911, playwright Haresh Sharma excavates the tragedies that surfaced - dishonesties, power struggles, corruption and egos - which have made the world an elimination platform dominated by the powerful.

godeatgod is an intimate, personal and at times funny exposition about trying to live a better life; a take on censorship in the context of art; and an examination of love and grief
2006
 -
Hong Kong SAR China

Productions

godeatgod

A layered and moving exploration of power, sexuality, spirituality and survival in the post traumatic world, this multimedia, multiracial and multinational romp is interwoven with the stories and emotional landscape of its characters.

Writing in response to 911, playwright Haresh Sharma excavates the tragedies that surfaced - dishonesties, power struggles, corruption and egos - which have made the world an elimination platform dominated by the powerful.

godeatgod is an intimate, personal and at times funny exposition about trying to live a better life; a take on censorship in the context of art; and an examination of love and grief
2006
 -
Hong Kong SAR China

Staging

godeatgod

A layered and moving exploration of power, sexuality, spirituality and survival in the post traumatic world, this multimedia, multiracial and multinational romp is interwoven with the stories and emotional landscape of its characters.

Writing in response to 911, playwright Haresh Sharma excavates the tragedies that surfaced - dishonesties, power struggles, corruption and egos - which have made the world an elimination platform dominated by the powerful.

godeatgod is an intimate, personal and at times funny exposition about trying to live a better life; a take on censorship in the context of art; and an examination of love and grief
2005
 -
Romania

Productions

godeatgod

A layered and moving exploration of power, sexuality, spirituality and survival in the post traumatic world, this multimedia, multiracial and multinational romp is interwoven with the stories and emotional landscape of its characters.

Writing in response to 911, playwright Haresh Sharma excavates the tragedies that surfaced - dishonesties, power struggles, corruption and egos - which have made the world an elimination platform dominated by the powerful.

godeatgod is an intimate, personal and at times funny exposition about trying to live a better life; a take on censorship in the context of art; and an examination of love and grief
2005
 -
Romania

Staging

godeatgod

A layered and moving exploration of power, sexuality, spirituality and survival in the post traumatic world, this multimedia, multiracial and multinational romp is interwoven with the stories and emotional landscape of its characters.

Writing in response to 911, playwright Haresh Sharma excavates the tragedies that surfaced - dishonesties, power struggles, corruption and egos - which have made the world an elimination platform dominated by the powerful.

godeatgod is an intimate, personal and at times funny exposition about trying to live a better life; a take on censorship in the context of art; and an examination of love and grief
2005
 -
Singapore

Productions

godeatgod

A layered and moving exploration of power, sexuality, spirituality and survival in the post traumatic world, this multimedia, multiracial and multinational romp is interwoven with the stories and emotional landscape of its characters.

Writing in response to 911, playwright Haresh Sharma excavates the tragedies that surfaced - dishonesties, power struggles, corruption and egos - which have made the world an elimination platform dominated by the powerful.

godeatgod is an intimate, personal and at times funny exposition about trying to live a better life; a take on censorship in the context of art; and an examination of love and grief
2005
 -
Singapore
 

Essays/Writings

Glocalqueering in New Asia

Published here in Theatre Journal, Volume 57, Number 3, October 2005.

This essay considers the theatrical production of Asian Boys Vol. 1 in Singapore as it is imbricated in neoliberal, nationalist, and diasporic circuits using a new critical formulation called "glocalqueering." Arguing that the global queering lens is inadequate in understanding the predicament of queer men in global cities like Singapore, the article turns to the play as an example of a queer and trans/national theatre production that unravels the politics of performing gay in Singapore and/as New Asia. While uncovering the glocalqueering circuits of this production, the essay also examines the effectiveness of using global Asian queer boys in the hyper-consumerist and highly regulated context of Singapore for queer self-representation, visibility, and political intervention by sexual minorities.

Project Serial Number: AA200501

Due to copyright restrictions, we are unable to reproduce the full essay/writing online. Please contact the resource owner directly for permissions if reproduction rights do not belong to The Necessary Stage Ltd. Otherwise, kindly contact us for access to the full resource. Do note that archival access and reproduction charges may apply.
2005
 

Staging

godeatgod

A layered and moving exploration of power, sexuality, spirituality and survival in the post traumatic world, this multimedia, multiracial and multinational romp is interwoven with the stories and emotional landscape of its characters. godeatgod is an intimate, personal, at times funny exposition about trying to live a better life; a take on censorship in the context of art; and an examination of love and grief.
2004
 -
Singapore
 

Productions

godeatgod

A layered and moving exploration of power, sexuality, spirituality and survival in the post traumatic world, this multimedia, multiracial and multinational romp is interwoven with the stories and emotional landscape of its characters. godeatgod is an intimate, personal, at times funny exposition about trying to live a better life; a take on censorship in the context of art; and an examination of love and grief.
2004
 -
Singapore

Productions

godeatgod

A layered and moving exploration of power, sexuality and spirituality and survival in the post-traumatic world, the multiethnic, multimedia romp is interwoven with the stories and emotional landscapes of its characters.

Writing in response to 911, playwright Haresh Sharma excavates the tragedies that surfaced--dishonesties, power struggles, corruption and egos--which have made the world an elimination platform dominated by the powerful. Where do we look to for the new moral order?

godeatgod is an intimate, personal and at times funny exposition about trying to live a better life; a take on censorship in the context of art; and an examination of love and grief.

godeatgod was first staged in 2002.
2004
 -
Singapore
 

Productions

Goldilocks

The reason for Siti's choice of Goldilocks as her monologue piece is because everybody sees her as the little brat who's always up to mischief. She wants to put herself in Goldliocks' shoes and sees how she defend herself against all the accusations that she's been facing all the while.
2003
 -
Singapore
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