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Staging

Looking Up!

This programme tells the story of three friends in school, enjoying all experiences of being young and independent, until one day when one of them decides to join a street gang. This Theatre-In-Education programme deals with gangsterism in schools. It touches on the relationship between the victim and the bully as well as bullying itself. This highly interactive programme builds self esteem and encourages students to express their opinions confidently and coherently.
1999
 -
Singapore

Productions

Untitled…

Original sonic composition in relation to movement and the body, in a new collaborative exploration.
1999
 -
Singapore

Productions

Inside Out/Outside In

From day to day, we put on different masks in which we face the world. At times we get confused about what is real and who we really are. A non-realist exploration using movement and production elements as text.
1999
 -
Singapore

Staging

[names changed to protect the innocent]

[names changed to protect the innocent] is a platform for experimental, exploratory and original work which aims to provide a space for artists, established or otherwise, to come together in the spirit of experimentation for dialogue amongst artists and audience
1999
 -
Singapore
 

Talks & Interviews

Creativity Through Drama

A symposium organised in partnership with the Division of Literature and Drama at the National Institute of Education.
1999
 -
Singapore
 

Productions

You Gotta Drink

How close to art do we want to get? These 2 "inviting" installations tease the boundaries between performer/artwork and spectator/viewer; challenging both groups into claiming possession and space.
1999
 -
Singapore
 

Productions

have a pleasant show, we pay to dream in a sleeping society

This installation piece is based on the idea of the dissemination of information; how one reacts to “networked” news, which has been censored or filtered to cater to propaganda. have a pleasant show, we pay to dream in a sleeping society puts to play a “made-believe reality” set against actual reality; questioning where we look to for our information; and in who and what we choose to believe.
1999
 -
Singapore
 

Productions

You Better Work

How close to art do we want to get? These 2 "inviting" installations tease the boundaries between performer/artwork and spectator/viewer; challenging both groups into claiming possession and space.
1999
 -
Singapore
 

Productions

left right, right left

left right, right left explores manipulative relationships. The interaction and contact between two entities, 2 physical bodies, create the space for shifts in gender paradigms and power, opening up possibilities for multiple interpretations.
1999
 -
Singapore

Productions

"Re-engineering the society of mind"

This work is in two parts: a photograph and a video projection. Together they serve a double function (duifungsi). First, the work as a whole should function as a "window" into historical period and the research carried out in that period by my mother and myself into cognition, agency, propaganda and art. Second, the work as a whole should function as a "mirror".
1999
 -
Singapore
 

Productions

untitled man number one

The monoperformance unfolds at the intersection of technology, genders, and sexualities. The position of the performative self within time and space has been destabilised resulting in a dynamic site which embraces transgenders and transexualities, and a new understanding of social and emotional policies. S/he gives birth to a piece of digital char siew...?

First performed at [names changed to protect the innocent] July '99 instalment.
1999
 -
Singapore
 

Productions

tilldeathdouspart

Fusing movement and soundscapes, tilldeathdouspart explores the physical and psychological states of Man, tracing the cycles of courtship, life, Woman's death and the subsequent relationship.
1999
 -
Singapore
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