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Productions

Whoever Finds It, I Love You

Zelda Tatiana Ng's personal journey in English and Chinese.
1998
 -
Singapore
 

Productions

Every Moment is a Birth

A search for the Malay identity. Questioning both himself and the audience on what it truly means to be Malay in modern Singapore. Helmi explores his ethnic identity through 4 characters - Hassan, a young Malay Professional, Makcik (older Malay woman), Mat Rock, a drug addict in a rehabilitation centre and Pak Daud, an elderly medicine man.
1998
 -
Singapore
 

Productions

Silent Man

Verena Tay makes sense of the art and life of her late photographer father David Tay Tian Swee through her own art as an actor.
1998
 -
Singapore
 

Staging

I'd Like to Thank My Mother, My Father, Myself

Leave your shoes at the door (bedroom slippers available upon request). Bring your coffee and quiche in with you. Share the initimate space created by the members of our professional actors ensemble.

Fisheye lens, f-stop, the images… Verena Tay makes sense of the art and life of her late father, David Tay Tian Swee, a photographer, through her art as an actor, in Silent Man.

Rendance, Bomoh, Mat Rock...Mohd Fita Helmi shares the paroxysms of growing up Malay in modern Singapore in Every Moment is a Birth.

Oedipus, Van Gogh, astronomy... Zelda Tatiana Ng undertakes a personal journey in the bilingual Whoever Finds It, I Love you...

Music, the beach, the quay... Sim Pern Yiau asks how come he ended up an actor instead of rock n roll star in John at the Quay.

Each performance will include 2 of these 4 pieces.
1998
 -
Singapore
 

Productions

Superfriends at the Hall of Justice

Superfriends at the Hall of Justice explores how a basic human function, such as communication, is problematised. Solipsism and narcissism replaces the humility to learn and the process of self-discovery. As the desire for stability and self-definition becomes the premise for existence, truth is no longer an important journey. Powerful people retain their status by defining others according to their own perspectives. Others cannot co-exist, let alone be recognised on their own independent terms.
1998
 -
Singapore
 

Staging

Superfriends at the Hall of Justice

Superfriends at the Hall of Justice explores how a basic human function, such as communication, is problematised. Solipsism and narcissism replaces the humility to learn and the process of self-discovery. As the desire for stability and self-definition becomes the premise for existence, truth is no longer an important journey. Powerful people retain their status by defining others according to their own perspectives. Others cannot co-exist, let alone be recognised on their own independent terms.
1998
 -
Singapore

Productions

Late Nights

Late Nights deal with the themes of change in the parent-child relationship and communication within the family.
1998
 -
Singapore

Staging

Late Nights

Late Nights deal with the themes of change in the parent-child relationship and communication within the family.
1998
 -
Singapore

Productions

The Legend of Bukit Merah

A peaceful village, long ago, was besieged by deadly swordfish. The villagers were terrified of these fish and looked to their Rajah for a solution. But the Rajah had none. Then a young boy named Abdul came up with the idea of using banana tree trunks and saved the village from its plight. Instead of being rewarded, Abdul was arrested as the Rajah perceived a greater threat to his reign.

This programme offers students a chance to acquaint themselves with one of the more well-known local legends. Through role-playing, as farmers, fishermen, hunters and carpenters, they will interact with the main character of the story, Abdul. When he is accused of trying to take over the Rajah's throne, they will make decisions that will affect his fate.

Students will learn responsibility and empathy. This highly interactive programme builds self-esteem and encourages students to express their opinions confidently and coherently.
1998
 -
Singapore

Staging

The Legend of Bukit Merah

A peaceful village, long ago, was besieged by deadly swordfish. The villagers were terrified of these fish and looked to their Rajah for a solution. But the Rajah had none. Then a young boy named Abdul came up with the idea of using banana tree trunks and saved the village from its plight. Instead of being rewarded, Abdul was arrested as the Rajah perceived a greater threat to his reign.

This programme offers students a chance to acquaint themselves with one of the more well-known local legends. Through role-playing, as farmers, fishermen, hunters and carpenters, they will interact with the main character of the story, Abdul. When he is accused of trying to take over the Rajah's throne, they will make decisions that will affect his fate.

Students will learn responsibility and empathy. This highly interactive programme builds self-esteem and encourages students to express their opinions confidently and coherently.
1998
 -
Singapore
 

Publications

The Necessary Pages Issue 2

The Necessary Pages is a quarterly publication that gives readers a better insight into the company, and provides updates on new productions and events. 
1998
 

Publications

The Necessary Pages Issue 1

The Necessary Pages is a quarterly publication that gives readers a better insight into the company, and provides updates on new productions and events. 
1998
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