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Talks & Interviews

Dramaturgy in Action II

This panel was the first event on the second day of the Asian Dramaturgs' Network Symposium 2016. In this panel, the speakers discuss the dramaturgical challenges of less-than-conventional productions. Charlene Rajendran, Ken Takiguchi, and Kok Heng Leun share their experiences with the dramaturgy of artistic collaborations across national, cultural and/or disciplinary boundaries. Alvin Tan shares how dramaturgy is integrated into the theatre-making methodology of The Necessary Stage, citing a transnational collaborative project as an example.
2016
 -
Singapore

Workshops

The Orange Playground Lab #1

A workshop conducted by Suguru Yamamoto of Hanchu-Yuei.

Suguru will guide the participants to a heightened awareness through focusing on the two main types of “places” in theatre:
• The place where it is performed (space)
• The place it is set in the script (scene)

With their sensibilities focused on these two “places”, participants will be able to discover new vocabularies in sincere acting and body movement. Everyone would have had an experience in which our feelings changed when the place altered, or a sense that somehow a certain place never works for us. We hope to lead participants to a greater realisation of the uniqueness of locality and the powerful influence of place in our everyday lives.
2016
 

Essays/Writings

One Small Voice

Published online here in biblioasia volume 12 issue 1.


Emily of Emerald Hill is one of Singapore’s most iconic single-person plays. Corrie Tan tells you more about the history of the monodrama on the Singapore stage.


Project Serial Number: AA201602.

Due to copyright restrictions, we are unable to reproduce the full essay/writing online. Please contact the resource owner directly for permissions if reproduction rights do not belong to The Necessary Stage Ltd. Otherwise, kindly contact us for access to the full resource. Do note that archival access and reproduction charges may apply.
2016
 

Productions

Mosquito

The programme starts with interaction with the audience via chatting, sing-along & movement. The skit is about two neighbours getting into an argument when an inspector discovers mosquitoes breeding in a pool of water, who's the culprit?
2016
 -
Singapore
 

Staging

Mosquito

The programme starts with interaction with the audience via chatting, sing-along & movement. The skit is about two neighbours getting into an argument when an inspector discovers mosquitoes breeding in a pool of water, who's the culprit?
2016
 -
Singapore

Workshops

The Orange Playground Lab #4

Created by Artistic Director Alvin Tan, The Orange Playground (TOP) is The Necessary Stage’s newest initiative in creative research and development. We seek to collaborate with artists in an exploratory environment where risks can be freely taken within and with the creative process. TOP will provide opportunities for free, ad-hoc collaborative “jamming” and play with emerging and established talents.

This Lab focused on the exchange of devising methodologies employed by David Glass and The Necessary Stage. The artists centred their explorations around In Order to Live by Yeonmi Park.

 
2016
 

Productions

Manifesto

1963. A young painter is forced to abandon his family and his art when he is embroiled in the tumultuous politics of the era. 

1987. Three writers are detained by the Internal Security Bureau, each making different choices that will leave indelible marks on their lives.

2016. Artists occupy a derelict building in a bid to present their works free from state intervention, but find themselves entangled in market and personal politics instead.

2024. Successors of a theatre company discover that it has a hidden history, and grapple with the reasons behind the rewriting of the past.

Through the lens of events stretching across 70 years, Manifesto, a brand new multilingual collaboration by Drama Box and The Necessary Stage, investigates the role of artists in history and politics:

Can Artists be alternative voices for the marginalized or will they be silenced, subdued and ultimately, erased?
2016
 -
Singapore
 

Staging

Manifesto

1963. A young painter is forced to abandon his family and his art when he is embroiled in the tumultuous politics of the era. 

1987. Three writers are detained by the Internal Security Bureau, each making different choices that will leave indelible marks on their lives.

2016. Artists occupy a derelict building in a bid to present their works free from state intervention, but find themselves entangled in market and personal politics instead.

2024. Successors of a theatre company discover that it has a hidden history, and grapple with the reasons behind the rewriting of the past.

Through the lens of events stretching across 70 years, Manifesto, a brand new multilingual collaboration by Drama Box and The Necessary Stage, investigates the role of artists in history and politics:

Can Artists be alternative voices for the marginalized or will they be silenced, subdued and ultimately, erased?
2016
 -
Singapore
 

Festivals

M1 Singapore Fringe Festival 2016

2016
 

Talks & Interviews

Interculturality and Interdisciplinarity

The iMagination Center is dedicated to imagination, innovation and transdisciplinarity. It aims at training current and future managers to understand today's world in motion while making them actors of the world to build for tomorrow.

 iMagination Week is a seminar dedicated to imagination, creativity and transdisciplinarity.

The objective is to culturally enrich the students by taking them out of their usual work habit and exposing them to experts from various disciplines like life sciences, future studies, art, technology, and sciences, among others. It is also to invite the students to envision the future and develop their creative minds by stimulating their imagination and team work capabilities.
2016
 -
Singapore
 

Publications

Abuse Suxxx!!! and Other Plays

Featuring five plays by Cultural Medallion recipient Haresh Sharma, created over a span of two decades, Abuse Suxxx!!! and Other Plays is an audacious collection that casts a spotlight on LGBT lives and issues explored in The Necessary Stage’s productions. Yet these plays go beyond being simply out, loud and proud. Rather, they deal with a range of topics—from dealing with death in Top or Bottom, to fissures within the community in Mardi Gras, to examining the limits of liberal ideals in ________ Can Change—and advocate tolerance and acceptance of difference in our midst.

The collection also includes a foreword by Artistic Director Alvin Tan and an introduction by researcher Shawn Chua.
2016
 

Essays/Writings

Le monologue à Singapour, naissance et développement d'une forme dramatique nationale

Published here in La scène mondiale aujourd’hui: des formes en movement.


C’est peu dire qu’affirmer que le théâtre singapourien est mal connu en France. De même que les particularités culturelles et linguistiques de cette cité-état, de superficie dérisoire, mais connue dans le monde entier pour sa réussite économique exceptionnelle.

Le travail de Marc Goldberg contribue à combler ce manque, en faisant découvrir au public francophone une expression théâtrale typiquement singapourienne, et ancrée dans des questions contemporaines.


Project Serial Number: AA201603

Due to copyright restrictions, we are unable to reproduce the full essay/writing online. Please contact the resource owner directly for permissions if reproduction rights do not belong to The Necessary Stage Ltd. Otherwise, kindly contact us for access to the full resource. Do note that archival access and reproduction charges may apply.
2016
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