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This play will look at the importance of taking responsibility for our environment. Find out how growing "tow gay" for a science experiment can have many consequences! Through scenarios that affect the personal, larger environmental issues will also be looked at and discussed in a fun and interesting manner. This programme aims to encourage students to not take their surroundings for granted, and to think about how they impact on others, and the larger environment.

What's the difference? aims to help students understand and respect difference. Some children already have prejudices and discriminate against others who are of a different colour, size or gender from themselves at a young age.

The pay hopes to enable students to reflect on how these prejudices are formed and to question their validity. It also hopes to encourage students to examine their own thought and decision making process and to provide them with alternative perspectives.

Take a happy ride through glorious holes to experience style, phallic monsters, stardust, and macho goddesses. Like characters in a wet dream, the six actors will play out your fantasises under the showers, at the pubs, on the net, and in the bushes - funny, thought-provoking, heart wrenching and always haunting.

untitled women number one is emotions. Two individuals caught in emotions, moving and yet still. How do you map a journey which goes nowhere? There is permanence within change. They are personal work, yes. Each and every one of them marks my life. This particular one is close to my heart. I hope you enjoy the performance tonight. To six. From the sixteen airbass.

Talk was first staged in 1994. For this version, we have made extensive changes. The initial impetus behind the original was the whole idea of talk shows and media. It was a send-off, a spoof, a satire.

For this version, we are working with two very giving and dedicated actors, Darren Chiam and Peter Sau. We spent a few rehearsals improvising different scenarios, sexploring various styles and forms, discussing etc. The play/production has taken a different slant. It's now less clear, less coherent.

Our collaboration has been meaningful. Script, set, music and performance have all evolved naturally - bouncing off, and dependent on, one another. Such a process is always daunting - much preparation can be beforehand, but the real composition only takes place during rehearsals.

We would like to thank Peter, Darren and Dimin for making the journey a smooth one. Happy.

"As she folds the clothes, she waits for a sign; as she showers, she looks at the water in the sink, she swirls her fingers and dreams; as she peels an onion, she cries looking at the dust on the rainbow."

A rare Singaporean production; one that transcends language and gender; one that connects us all as human living at the edge of life...a return of innocence.