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A movement/dance piece, N.A challenges our assumptions of the "traditional" classification of Race, hoping to ignite some thought and discourse on related themes of prejudice and the common inheritance of the human race. 

Fusing movement and soundscapes, tilldeathdouspart explores the physical and psychological states of Man, tracing the cycles of courtship, life, Woman's death and the subsequent relationship.

The monoperformance unfolds at the intersection of technology, genders, and sexualities. The position of the performative self within time and space has been destabilised resulting in a dynamic site which embraces transgenders and transexualities, and a new understanding of social and emotional policies. S/he gives birth to a piece of digital char siew...?

First performed at [names changed to protect the innocent] July '99 instalment.

This work is in two parts: a photograph and a video projection. Together they serve a double function (duifungsi). First, the work as a whole should function as a "window" into historical period and the research carried out in that period by my mother and myself into cognition, agency, propaganda and art. Second, the work as a whole should function as a "mirror".

left right, right left explores manipulative relationships. The interaction and contact between two entities, 2 physical bodies, create the space for shifts in gender paradigms and power, opening up possibilities for multiple interpretations.

How close to art do we want to get? These 2 "inviting" installations tease the boundaries between performer/artwork and spectator/viewer; challenging both groups into claiming possession and space.

This installation piece is based on the idea of the dissemination of information; how one reacts to “networked” news, which has been censored or filtered to cater to propaganda. have a pleasant show, we pay to dream in a sleeping society puts to play a “made-believe reality” set against actual reality; questioning where we look to for our information; and in who and what we choose to believe.

How close to art do we want to get? These 2 "inviting" installations tease the boundaries between performer/artwork and spectator/viewer; challenging both groups into claiming possession and space.

Thicker than Water deals with the facts & myths of HIV and AIDS, including the prejudices and fear that surround it. How it can and will affect teenagers. Two young friends, with their whole lives before them, believe that anything is possible. But what happens when one of them discovers he is HIV positive. Prejudices are confronted and the friendship tested as he struggles to tell his best friend about his illness.