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A no-punches-pulled, in-your-face expose of violence in the Singapore home that is fun to watch. Think of Chaplin's comedies: funny vignettes which drive home the message that being poor is painful.

What do you remember from your childhood? Would you disclose your most personal memories of growing up? Come into the unique space created by master-storyteller, Sita Ramamurthy, as she brings us down memory lane, painting a retrospective of her childhood. Fresh from London and the Haymarket Theatre, Leicester, Memories Of An Indian Childhood is an evocative story infused with traditional tales and music, neighbourhood friends and childhood bullies, long bouts of Risk and Monopoly, stubborn hairdos and floral-printed flared jeans.

This programme tells the story of three friends in school, enjoying all experiences of being young and independent, until one day when one of them decides to join a street gang. This Theatre-In-Education programme deals with gangsterism in schools. It touches on the relationship between the victim and the bully as well as bullying itself. This highly interactive programme builds self esteem and encourages students to express their opinions confidently and coherently. Schools will be presented with a teacher's resource pack suggesting activities related to the programme which can be use to reinforce learning points in the classroom.

Leave your shoes at the door (bedroom slippers available upon request). Bring your coffee and quiche in with you. Share the initimate space created by the members of our professional actors ensemble.

Fisheye lens, f-stop, the images… Verena Tay makes sense of the art and life of her late father, David Tay Tian Swee, a photographer, through her art as an actor, in Silent Man.

Rendance, Bomoh, Mat Rock...Mohd Fita Helmi shares the paroxysms of growing up Malay in modern Singapore in Every Moment is a Birth.

Oedipus, Van Gogh, astronomy... Zelda Tatiana Ng undertakes a personal journey in the bilingual Whoever Finds It, I Love you...

Music, the beach, the quay... Sim Pern Yiau asks how come he ended up an actor instead of rock n roll star in John at the Quay.

Each performance will include 2 of these 4 pieces.

Superfriends at the Hall of Justice explores how a basic human function, such as communication, is problematised. Solipsism and narcissism replaces the humility to learn and the process of self-discovery. As the desire for stability and self-definition becomes the premise for existence, truth is no longer an important journey. Powerful people retain their status by defining others according to their own perspectives. Others cannot co-exist, let alone be recognised on their own independent terms.